Sync licensing
Original music for film, television, advertising, trailers, games, podcasts, social campaigns, and branded content.
Independent music, direct access
Explore a growing catalog of original releases, build a shareable shortlist, or bring us a brief for custom music designed around your story.
Video catalog
Preview one track at a time without opening a wall of players. Add your strongest options to a shortlist for approvals or licensing.
Featured releases
From cinematic ballads and country storytelling to trance and electronic energy, the catalog is built to give music supervisors, creators, and listeners more than one predictable sound.
View all public releasesWhat we offer
1st Eye Collective can support a finished placement, a custom commission, or the early creative phase when the music direction is still being defined.
Original music for film, television, advertising, trailers, games, podcasts, social campaigns, and branded content.
Purpose-built songs, cues, themes, edits, and alternate arrangements shaped around your brief, timing, and emotional target.
Writing, concept development, and cross-genre collaboration for artists, producers, directors, and brands seeking an original angle.
Professional WAV files, stems, instrumentals, clean versions, cutdowns, and cue sheet information when available and requested.
The experience behind the music
1st Eye Collective draws on Christopher Conrad Tolen's decades of experience as a lyricist, hip-hop performer, recording engineer and producer, from Raleigh's live stages to Chicago's recording rooms.
Christopher performed throughout Chicago and Raleigh, North Carolina, including at the Ritz in Raleigh on bills with Wu-Tang Clan, Busta Rhymes, Fat Joe, Big Pun, Nas, AZ and Lost Boyz, among other artists.
First place in WGCI's Miller Lite Freshest Emcee Competition, earning the $10,000 top prize.
Christopher contributed a rap performance to the introduction of NBA 2K2 on Sega Dreamcast via GameBeat. Darryl Duncan of GameBeat produced the track. Christopher also performed on Kalahari Get Down, the Kalahari Resorts theme song, and contributed introductory music for Chicago's WVON radio. Both of those tracks were produced by Darryl Duncan.
Chicago collaborations
Years of recording, songwriting, performances and events brought Christopher together with artists and crews including JUICE, Newsense, Ang13, Sam I Am, Amina, PRI.S.M., Big Rap of CWAL, Coolout Chris, Tony Baines, The Cadre Crew, Lurk Squad, DR3AM ONE and Dr. Who, among many others. Coolout Chris, co-founder of Urbanized Music, was a longtime collaborator on songs and events.
That history continues through the original writing and cross-genre work of 1st Eye Collective today.
Explore Christopher's music story at Tolen Media ↗Licensing workflow
Give us the information decision-makers actually need. We will respond with availability, next steps, and the right deliverables for the project.
Project type, creative direction, usage, term, territory, deadline, and budget range.
We review the track or custom request, rights position, scope, and required versions.
Fee, media, duration, territory, exclusivity, revisions, and delivery expectations.
Final files, metadata, invoice, and licensing paperwork move through one direct contact.
24-bit WAV, instrumental, clean version, stems, 15, 30, and 60-second cutdowns.
Reference tracks, rough cut or timecode, emotional arc, edit points, and final deadline.
Ask about unreleased material when the public catalog does not match the assignment.
Frequently asked
For unusual rights, exclusivity, channel-wide use, or a changing campaign scope, send the details and we will quote the actual use rather than force-fit a generic license.
Ask a specific questionFor catalog material represented directly by 1st Eye Collective, we can coordinate the rights information and confirm the clearance path for your requested use.
Yes, when the source material supports it. Tell us what your editor needs, including cut lengths, scene timing, or mix priorities.
Pricing depends on media, usage, term, territory, audience size, prominence, exclusivity, and whether paid advertising is involved.
Yes. Include references, mood, tempo, instrumentation, edit points, revision expectations, and deadline so the scope can be quoted accurately.
Tell us the channel and exact use before launch. If a selected recording is registered with Content ID, the proper claim-release or allowlisting process can be addressed as part of clearance.
No. A standard sync or master-use license does not include permission to train machine learning models on the recordings or compositions.
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